Toledo is a city and municipality located in central Spain, about 70 kilometers south of Madrid. It was declared a World Heritage Site by UNESCO in 1986, due to its extensive cultural and monumental heritage as one of the former capitals of the Spanish Empire and place of coexistence of Christian, Jewish and Moorish cultures
Arts and culture
Cervantes described Toledo as a "rocky gravity, glory of Spain, and light of her cities." The old city is located on a mountaintop, surrounded on three sides by a bend in the Tagus River, and contains many historical sites, including the Alcázar, the cathedral (the primate church of Spain), and the Zocodover, a central marketplace.
From the 5th century to the 16th century about thirty synods were held at Toledo. The earliest, directed against Priscillian, assembled in 400. At the synod of 589 the Visigoth King Reccared declared his conversion from Arianism; the synod of 633, guided by the encyclopedist Isidore of Seville, decreed uniformity of liturgy throughout the Visigothic kingdom and took stringent measures against baptized Jews who had relapsed into their former faith. The council of 681 assured to the archbishop of Toledo the primacy of Spain.
As nearly one hundred early canons of Toledo found a place in the Decretum Gratiani, they exerted an important influence on the development of ecclesiastical law. The synod of 1565–1566 concerned itself with the execution of the decrees of the Council of Trent; and the last council held at Toledo, 1582–1583, was guided in detail by Philip II.
Toledo was famed for religious tolerance and had large communities of Jews and Muslims until they were expelled from Spain in 1492; the city therefore has important religious monuments like the Synagogue of Santa María la Blanca, the Synagogue of El Transito, and the Mosque of Cristo de la Luz.
The cathedral of Toledo (Catedral de Toledo) was modeled after the Bourges Cathedral though it also combines some characteristics of the Mudéjar style. It is remarkable for its incorporation of light and features the Baroque altar called El Transparente, several stories high, with fantastic figures of stucco, painting, bronze castings, and multiple colors of marble, a masterpiece of medieval mixed media by Narciso Tomé topped by the daily effect for just a few minutes of a shaft of sunlight striking it through a similarly ornamented hole in the roof. The effect gives the impression that the whole altar is rising to heaven. It is from the play of light that this feature of the cathedral derives its name.